The film then, takes on a quixotic structure, as the three young men roam the streets of Paris, running into strange characters that seem to reassure them that things will only get worse. In the aftermath of the riots, Vinz finds a gun which he stores, promising himself he will use it to kill a cop if Abdel dies in the hospital. The lives of these three friends take an unexpected twist when Abdel (Abdel Ahmed Ghili), one of their neighbors, is brutally beaten by the police, leading to a series of riots that alter their limited worldviews. Their friend Hubert (Hubert Koundé) is a French-African boxer, who is trying hard to leave the projects behind and start anew somewhere else. His friend Saïd (Saïd Taghmaoui) is a young Arab who seems to be trying to find his place in the world, his personality a construction - and often a reproduction - based on those around him.
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#LA HAINE FILM HOW TO#
Vinz (Vincent Cassel) is a Jew who lives with his grandmother and sister, and spends the days away dreaming of how to murder a cop (his impression of Robert De Niro in Taxi Driver is both hilarious and chilling). Set in the poverty-ridden housing projects of Paris, the film has us follow three of its inhabitants during the course of a day. Unlike most films of the ’90s, Matthieu Kassovitz’s La Haine remains a timeless snapshot of a transitory decade that forever transformed world history.